Squarepusher: Feed Me Weird Factors (25th Anniversary Version) Album Evaluation

Feed Me Weird Matters, at first released in 1996 on Aphex Twin’s Rephlex label, is…

Feed Me Weird Matters, at first released in 1996 on Aphex Twin’s Rephlex label, is the Squarepusher LP you could choose household to meet up with your mom—the effectively-dressed eccentric to “Come on My Selector”’s slobbering psychopath. That’s not to say it is uncomplicated listening, precisely, but Squarepusher’s debut album marked a unusual second in Tom Jenkinson’s very long and very irregular occupation when he sounded vaguely in line with prevailing musical trends—relaxed and rather sociable, alternatively than creeping all over in his habitual subject of a person.

No a single will confuse Feed Me Strange Issues—long out of print but now reissued for its 25th anniversary—with Faithless’s “Insomnia” or the other huge Ibiza hits of 1996. Squarepusher’s songs is a tangle of beats, bass, and melody, a flamable mixture of musical tips that dynamites the repetitive character of a great deal electronic tunes. But the limited-lived mid-’90s craze for drill’n’bass, spearheaded by Aphex and Luke Vibert, intended that Squarepusher’s conquer mangling and corridor-of-mirrors funk did not come to feel quite as solitary in 1996 as it generally does currently. Echoes of Richard D. James’ dual Hangable Vehicle Bulb EPs, unveiled in 1995, can be heard in Feed Me Odd Things’ fractured grooves, and album emphasize “Theme From Ernest Borgnine” is straight out of the Aphex playbook, marked by a colourful melody and tortured breakbeats.

Drum’n’bass—particularly the jazz-influenced pressure that was approaching its peak in 1996—was another kindred spirit. If you squint, you could picture Feed Me Bizarre Issues’ “Squarepusher Theme” or “Kodack” slotting on to Roni Dimensions / Reprazent’s debut EP, Reasons for Sharing, or 4 Hero’s 1997 EP Earth Pioneers: Squarepusher’s shared liked of dwell bass and moody chords demonstrates the jazz-funk heritage that underpinned a large amount of British dance tunes in the ’90s.

Squarepusher’s drums, too, have a specified groove on Feed Me Odd Matters that in some cases will get submerged in the wild beat contortions of his later function. The intricate rhythmic cut-ups and shock Fx attack that would develop into Squarepusher’s trademarks are definitely present on Feed Me Strange Factors but stay at recognizably humane ranges, producing a music like “Smedleys Melody”—essentially Django goes jungle—virtually a uncomplicated listen.

Even with the album’s common touches, there are even now times that sound like no a person but Squarepusher. Perhaps Jenkinson’s major innovation around his brain-bogglingly fertile occupation has been to merge the maximal drum programming of drum’n’bass with the serious noodle of his live fretless bass playing, and that blend will come to the fore on Feed Me Weird Points. Jungle, for all its kinetic depth, would usually depart a strong bassline to hang your significant colleges on the stunning complexity that closes “Windscale 2,” having said that, supplies just about no psychological repose, as bass and drum encounter off with all the unhinged depth of pace-chess fanatics at a blitz-match orgy.

The sugar that gilds this certain pill—as so typically in Squarepusher’s career—is his lustrous tonal sensibility. Stunning melodies and harmonies run rampant on the album’s greatest tunes. This, of class, is yet another present that Jenkinson shares with Aphex Twin. But whilst Aphex’s melodies have a tendency to be indebted to classical new music, Jenkinson also knows his way all-around an artful jazz chord development. “Squarepusher Theme” and “Tundra,” Feed Me Unusual Matters’ two opening tracks—also two of its best—throw you into this divide ideal from the off. “Squarepusher Theme” has a chord sequence of irregular elegance, whilst “Tundra” combines a funereal melody with an “Amen”-bothering conquer that suggests Metalheadz satisfies Chosen Ambient Performs Vol. II.

Squarepusher has moved on noticeably considering the fact that Feed Me Unusual Matters, exploring every little thing from mutant British isles garage (“My Purple Sizzling Car”) to the aptly named dwell album Solo Electric powered Bass 1. But Feed Me Weird Things may be his most individual release, supplying us a peek at the jazz-funk-loving bass fanatic behind the outrageous generation tips. For all the audaciousness of his audio, it sounds like Jenkinson is possessing enjoyable below, reveling in the excess of his personal indulgence. This timely re-release, which delivers Feed Me Odd Items to streaming for the initial time, makes it possible for the broader entire world to join in his twisted activity.

Get: Rough Trade

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