Just one calendar year and 8 months right after their previous release, the five queens of Red Velvet marked their return with their most up-to-date enchanting EP “Queendom.” For people who are not energetic K-pop listeners, waiting 20 months for new songs might seem to be like almost nothing. But in the rapidly-paced K-pop entire world, the place teams release new albums two to a few periods a yr, 20 months is a extremely very long time.
The announcement of Purple Velvet’s comeback, that includes all 5 customers, resulted in the two flutters of exhilaration and sighs of reduction for the group’s fans, also recognised as “ReVeluvs.” Red Velvet’s past release, the album “The ReVe Competition: Finale,” showcased what was arguably the most effective K-pop track of 2019: “Psycho.” On the other hand, marketing of “Psycho” was cut quick when most important vocalist Wendy experienced a significant personal injury when rehearsing for SBS’s Gayo Daejun function. ReVeluvs have waited with bittersweet anticipation given that then for the following Crimson Velvet album.
Unfortunately, “Queendom” falls shorter of meeting the substantial expectations established by “The ReVe Pageant: Finale.” This does not indicate that the album is lousy, but somewhat that it is just safe. This predictability differs greatly from Crimson Velvet’s preceding output as a innovative and experimental team who have in no way been fearful to push earlier musical boundaries and build their own style of K-pop. Their identify represents the duality of their musical type: “Red” signifies daring, addictive pop, funk, and hip-hop, while “Velvet” evokes their sensual, sleek R&B, jazz, and balladic tracks.
The title keep track of “Queendom” is an empowering dance-pop track that characteristics several of Red Velvet’s “Red” logos like vibrant vocals, digital sounds, and rapidly-paced, driving beats. But the team stays way too legitimate to the predictable boundaries of dance-pop, and the song lacks an further degree of musical depth and even unorthodoxy that would make it really theirs, which their earlier solitary “Zimzalabim” exemplifies.
The song’s concept of empowerment is productive but also formidable at moments. The a lot more gender-inclusive lyric alternative of “‘Cause we are queens and kings” may well not seem to be impressive, but in the globe of K-pop, where a lot of music are strictly gendered, it is a phase in the right course. At the very same time, however, the track struggles to equilibrium the “Red Velvet” audio with its lyrical message. A trademark of Crimson Velvet’s “Red” tunes lies in their hooks, and the repetitive “Ladida-do ba-badida” in the course of “Queendom,” whilst catchy, lacks lyrical indicating and ultimately detracts from additional impactful lyrics like “Don’t will need crown, we were being born to dazzle.”
Even so, the information of empowerment is better, albeit additional subtly, communicated by the album’s stylish second song “Pose.” Relative to “Queendom,” this song more effectively makes use of pop features, making use of a rhythmic, spoken-term-like vocal quality to make listeners experience like versions on a runway with all the self confidence in the entire world to strut and pose. In actuality, the repetition of the lyric “pose” adds to, fairly than detracting from, the primary lyrics like “Don’t care about other people’s stares / (That is suitable, strike a pose, then go) / Meet the actual me, yeah.” “Pose” is a have to-insert tune to any runway performances, no matter whether in New York Manner 7 days or your personal bedroom.
“Knock on Wood” is another well-crafted, clever tune that captures the essence of the group. By means of its light instrumental and feathery vocals, the song nimbly channels the expertise of slipping in really like and the nerves of a very first crush. The 3rd and fourth songs, “Better Be” and “Pushin’ N’ Pullin’,” tap into the “Velvet” R&B aspect of Red Velvet’s audio with varying levels of results. Even though “Better Be” is not a standout, “Pushin’ N’ Pullin’” paints a musical visual of love’s thrust and pull by psychological vocals and shimmering instrumentals.
The sixth and remaining track, “Hello, Sunset,” is the excellent tune for late-evening summertime drives. Its comfortable piano instrumentals paint the excellent history for Red Velvet’s whimsical, stunning vocals. The lyrics discuss indicating goodbye to summer season but, much more importantly, saying hi there to the long term. 1 distinct line has caught out for ReVeluvs: “Thank you for ready for me / I will give you a huge hug.”
When asked what she needed supporters to get away from this album, Pink Velvet’s leader Irene responded, “When we’re alongside one another, we glow a lot more superbly so let’s be there for just about every other forever and usually.” Right after conquering obstructions jointly, the group is embracing a new chapter with this album. Even though “Queendom” might not function the experimentation and creative imagination that marked Red Velvet’s previous function, it however has sparks of what will make the team special and promises extra to arrive from these 5 queens of K-pop.
— Staff writer June K. Park can be arrived at at [email protected]