Descendents unearth buried treasures on ‘9th & Walnut’

Legendary Southern California punk rockers Descendents‘ eighth studio album, 9th & Walnut, displays they however have the…

Legendary Southern California punk rockers Descendents‘ eighth studio album, 9th & Walnut, displays they however have the very same thrashy, proto-skate and pop-punk vitality from their early days. This album is an appealing specimen amid the band’s sporadic releases, as the tunes have been written concerning 1977 and 1980 and recorded in excess of two different durations all through 2002 and 2020.

9th & Walnut
Epitaph, July 23

The songs are rather small and self-contained, as a Descendents supporter may well anticipate, rarely breaking the two-moment mark. With 16 new tunes and two new recordings of classics “Ride the Wild” and “It’s a Frantic World,” the album is temporary in its runtime. It is no Infest document, but new listeners could truly feel the album is eager to end pretty much as before long as it starts.

The album opens with “Sailor’s Option,” a fun surf-rock-encouraged jam, and “Crepe Suzette,” a bass-led, wailing thrasher that starts off off as a seemingly hokey love song that turns progressively much more sinister and violent. “You Make Me Sick” functions a plucky arrangement that feels eerily reminiscent of The Ramones’ “Blitzkreig Bop.” Direct singer Milo Aukerman bashes sellouts and those desperate to make dollars in the rat race of lifetime.

“Lullaby” uses a snare roll to build into blasting electric powered guitars, as Aukerman starts taunting the matter of the music as a misleading charlatan absolutely everyone can see by means of. “Nightage” requires a extra decidedly emotional and somber note, detailing a failing romantic relationship involving the song’s narrator and his girlfriend, as he self-medicates in order to cope with the strain.

“Tired of Currently being Tired” maintains this tone and is ambiguously about inner thoughts of dejection as a consequence of either getting or perceiving currently being observed as unwanted. You could very easily interpret it as the inside monologue of a depressive person’s state of head. “Grudge,” regardless of being shorter on the lyrical finish, offers a scathing critique of bigotry as it satirizes the slender and cynical worldview of someone with a chip on his shoulder.

“Mohicans” serves as a history of punk and new wave audio, with some jabs taken at the genre’s use of synths and lighter seems, producing this observe truly feel fairly dated in retrospect. “Like the Way I Know” is a thrashing variety about proudly owning one’s self-image, no matter of other people’s perceptions. The only track that does not pretty supply is “To Bear in mind,” continual driving rock monitor coloured by the way Aukerman sings about the fallout among a couple immediately after a evening of partying. It recalls Lit pop-punk anthem “My Worst Enemy,” albeit without having the tongue-in-cheek self-consciousness that manufactured that track exciting.

Over-all, 9th & Walnut delivers a package most supporters of bands who’ve been all-around a handful of decades would like they could have: new tunes from their favored artists in their prime. Descendents have delivered a captivating time capsule that’s been sitting on the again-burner.

Comply with editor Tim Hoffman at